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The theme has been taken from ristorantedaalberto.com

Today, Ralph Lauren proved exactly why he is in a class by himself. The Ralph Lauren Collection 2011 presented during NY Fashion Week, was timeless, glamorous and dramatic. “It was a masterpiece,” André Leon Talley, Contributing Editor to Vogue. “It was unmistakably Ralph Lauren. It was a simple masterpiece. He is unstoppable in his sense of taking his classics and giving them new twists and new drama.”
Much of the collection was influenced by Chinese fashions, such as a black glossy silk illusion sweater dress, a jade silk panne velvet wrap dress and a red silk shantung embroidered smoking jacket that was shown under a black cashmere cocoon coat trimmed with long hair shearling.
The collection also included glossy smoking jackets, silk embroidered shearling coats, tuxedo jackets, velvet quilted jackets and pinstripe jackets paired with matching vests and trousers. A burgundy silk velvet wrap smoking jacket over a white cotton wing collar formal shirt with black sable tuxedo trousers was particularly striking. Several evening dresses were embroidered and beaded while many had an Art Deco feel.
Raplh Luren’s Asian inspiration was explained by his son David, who is the Senior Vice President, Advertising, Marketing and Corporate Communications for Polo Ralph Lauren Corp. “This past year he traveled to China,” and “It was his first trip there and he was inspired by what he saw. The future of our company is very much going to be expanding in China over the next couple of years. It has been in the air everywhere we turn. He is very inspired. For him it was a trip he took through a Ralph Lauren lens and what he saw, which is very different from what exists there, or it even never existed there. It is his interpretation of a China that could and should be.”

The theme was taken from Luxist, you can shop Ralph Lauren at www.modalino.com//ralph-lauren.

For Fall 2011, Calvin Klein stuck with the minimalist trend and offered a wide range of unfussy–borderline sterile—pieces including pantsuits, skirt suits, shift dresses, and architectural coats in monochromatic, neutral tones. His presentation epitomised minimalist sophistication: a sleek grey A-line dress had a leather panel detail across the bodice; stream-lined white trousers with elastic foot-holds were paired with a cropped shearling jacket.
Luxe additions like a fur-trim here or a satin sheen there offered textural intrigue, while the occasional play on proportions served to mix it up as well. As for footwear, well, it was strictly relegated to platform loafers or wedges with a dyed-to-match vibe.

The looks were Calvin Klein classics in the most sumptuous fabrics. There is punched velvet, a cashmere jacquard coat and a voluminous shearling duffle jacket.

You can shop Calvin Klein products now at www.modalino.com//calvin-klein.

If the Emporio Armani show’s stated theme of film noir espionage sounded like it would gel perfectly with Giorgio Armani’s own taste for forties films – and if such a theme also sounded well in step with Fall 2011′s affection for that decade—the reality of the presentation was surprisingly different. Yes, they were all dressed in black, but the femmes in the show weren’t particularly fatales. They wore Confederacy caps instead of fedoras, for Pete’s sake. And if there was an occasional pencil skirt or broad-shouldered topcoat to provoke a vision of film noir’s finest, the collection offered, for the most part, a numbingly comprehensive range of variations on pants, skirts, jackets, coats, and, for variety, jumpsuits. The guiding principle seemed to be a play with silhouette. The legs were, for instance, defined by spatslike appurtenances, a saddlebaglike belt created a pannier effect on the hips, shoulders were ruffled, and there were armlets that looked like leg-of-mutton sleeves. In a collection this big it wasn’t hard to pluck out the pieces that fulfilled Armani’s usual tenet of functional urban chic, and most of them were, unsurprisingly, jackets. A fringed blanket wrap made a more stylish accessory than the incongruous little terrier that nestled in one model’s arms.

This article has been taken from Style.com. You can search for Emporio Armani offers at www.modalino.com//emporio-armani.

The theme of the new Emporio Armani collection was “Lightness,” but it was a gray light the show cast, a neutral urban haze that matched the low-key nature of the clothes. This wasn’t one of those Emporio collections where Armani indulged himself in playful oddity. His focus remained squarely on lightening his signature jacket, deconstructing it till, at some points, it was almost as easy as a pajama or kimono, with fabrics that were appropriately silky or even translucent, in keeping with the light theme. The trouser shape Armani preferred had stitched multi-pleats, hung low on the waist, and ended just above the ankle at a desert boot. Shirts had narrow collars or none at all. Both types were buttoned to the throat. The overall impression was sober, unassuming, and a little crumpled. (There was even a print that duplicated creases.) It was almost as though Armani were taking a breather from the furious pace the expansion in all directions of his business has demanded of him. He deserves it.

This article has been taken from Style.com. You can search for Emporio Armani offers at www.modalino.com//emporio-armani.